Premium recommendations for casting agents today from GlobalTalentNetwork.com: The studies included in the text found that depending on the complexity of the role, top performers were between 200-300% more productive than average employees. As a result, the production or revenue generated from a single top performer, is the same as 2 – 3 of their average performing peers. Companies like Netflix and Google have publicly made similar statements, which is why the attraction and retention of top talent is their #1 corporate strategy. Self Management Group (SMG) has understood this phenomenon for some time now, and has been instrumental in helping its clients attract, select and develop top performers with its proprietary suite of psychometric selection tools. SMG assessments are customized and calibrated specifically for each client, ensuring the highest degree of predictive accuracy. SMG assessments also include a perfectly weighted combination of both biographic and psychographic data points, ensuring the most robust and holistic candidate models are used in the marketplace. As a company whose competitive advantage is predicting employee performance, we have always marketed the significant ROI associated with selecting top talent. Read more details All-in-One Applicant Tracking Software.

GlobalTalentNetwork advices for talent agencies : The local media is always looking for a buzz-worthy story, which you can create. If your talent agency is new, create a press release for the local news outlets that describes your agency, your experience, the type of talent you seek and your contact information. To ensure your press release gets in the right hands, call the newspaper or news source to find out the appropriate person’s name and email address or fax number. If you are hosting a special event, like a charity dinner, let the editors or producers at local news agencies know about this event to see whether a reporter would like to write a story about the event and your talent agency.

Do Theatre – Most Canada actors are theatre actors. Canada is a theatre and improv country. The expectation from the players in this market is that you have a strong background in one of these forms. Agents “shop” at the theatre; it’s, for most, where they find new talent. Doing a role over a sustained amount of time is not only satisfying for the actor, but is what allows you to grow and develop as an artist. Theatre is where you develop your “chops” and your street cred. As Mary Ann Ziesch of Actors Talent Group says “I need to see solid theatre experience on a resume to consider new talent.” See extra info https://globaltalentnetwork.com/.

You can also check out GlobalTalentNetwork’s online directory of agents and managers, or pull a list of franchised agents from SAG-AFTRA. Although there are certainly reputable agents who are not SAG-AFTRA franchised, it’s easier to check out those who are—plus, they’re accountable to a supervising entity. Research your candidates. Determine how many agents work for the agency, where the agency is located, how long the agency has been in business, what their submission guidelines are, who else they represent, etc. GlobalTalentNetwork’s Call Sheet includes a lot of this information, and you can check out an agency’s website for additional context. And don’t forget to run your list through the Better Business Bureau to see if anyone has filed claims against the agencies—this will help protect you from scam operations or disreputable agents.

Whether it’s breaking into the business or landing a spot at a reputable acting school, like it or not, this strange gathering of folks in a room where one must lay bare their soul is here to stay. So now’s the time to gain new insights and brush up on the knowledge you already have! From material to preparation to what to wear, this guide will tell you everything actors need to know about auditioning. Unless you’re working with an agent, online casting sites are the best place to find acting auditions.

Samuel L. Jackson describes the role of a manager as the following: “Managers have relationships that agents don’t have—relationships that allow you to meet writers, producers, and other people that aren’t just based in a specific project. These are people who are planning to do things, who could put you in their plans. They can connect you with writers who can write specifically for you. And they do put pressure on agents to produce and bring you more work. Or they’ll help you find an agent who can do that.”

It sounds simple, but it takes practice. Walk in the door with your head held high. Be wary of shuffling feet. You don’t get sympathy points if you’re nervous, not feeling well, or having a bad day. Leave it outside the door. You are being sized up the minute you walk in so practice good posture and body language before you arrive. And don’t forget to smile—that’s the lasting impression you want to leave. Find the love in the scene; even nasty characters should be likable on some level. Find a moment in the scene where the love can show through. Embrace action: Acting means do, not talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams.)

Expect to be treated like a professional at every audition you walk into, and expect to act like one. Rookie mistakes include shaking hands with the casting director and not putting your phone on silent, according to casting director Rachel Williams. Additionally, not coming in prepared shows lack of seriousness on your part. Walk in with confidence, greet the people in the room (which may include casting directors, directors, producers, network executives, artistic directors, potential co-stars, and/or a reader, depending on the project, the budget, and the studio, network, agency, or production company), do the introduction exactly as was asked of you, and bring it.

There are hundreds of talent agencies out there but, when you are applying to get represented you maybe faced with a ton of rejection letters and declines. Think about it, Kevin Costner, Angelina Jolie, John Travolta, and Brad Pitt struggled to find a talent agency to represent them when they first entered the entertainment industry. Honestly, everyone gets rejected by agents because agents are never sure who will become the next A-List actor. Typically, agents will say no to you for two reasons. An agent may reject because you look too much like other actors that the agent represents. Your agent does not believe that you currently have enough experience or training to justify representing you.